Archive for the ‘I’m a Dancer’ Category

The Right Way To Dance

Sunday, January 25th, 2009

Get it right! Don’t dance like that… it goes like this. That’s not right… this is the right way. Let me show you!

Stop! Don’t listen to those who say they know the right way to dance. Don’t listen to anyone that says this is wrong or that is right. They are delusioned… though, approved they are not wrong… Even if they are world champion dancers, medstore saying “this is the right way” is surely wrong.

There is a way to dance Lindy Hop that is common to most people who dance Lindy Hop. There is a way to dance Salsa that is common to most people who dance Salsa. There is a way to Waltz that is common to most people who Waltz. Learn to Waltz the way most people know Waltz and you’ll dance with ease with most people while waltzing. If you Lindy Hop the way most people Lindy Hop then you’ll find it easy to dance with most Lindy Hoppers. Learn to Salsa the way most people Salsa and you’ll find you can Salsa with most people.

That’s really what is meant by “this is the right way to dance”. Only in this sense can one way of dancing be “right” while another is wrong.

When you dance instructor tells you to dance “this” way… do so and you’ll find you can dance with everyone in your class. Perhaps, you’ll be able to dance with most people in the world by doing as your dance instructor asks.

Now.

The right way to dance is the way that brings joy to you, to your partner, and the people around you. You can tell when you are dancing the “right” way when a smile comes to your face. A smile comes to your partner’s face. A smile comes to those who are watching. Now you know, you are dancing the right way.

Frame, Confidence, and Having Fun

Friday, January 16th, 2009

Ladies, discount help me out here…

Men, prescription have a strong frame and confidence and you’ll create a wonderful dance for the ladies. Even if you only know a couple moves, cheapest execute them well and have fun; the ladies will have fun, too.

A strong frame is developed through confidence and practice. Some characteristics of a strong frame are

  • commitment to your moves and motion
  • no extraneous motion, every movement is filled with purpose
  • width – spread the arms and legs a little wider
  • openness – hands should be a little wider than the elbows which are a little wider than the shoulders, elbows bent at greater than 90 degree angle
  • wholeness – carrying your whole body into the motion, from feet to torso to hands.

The biggest obstacle I’ve encountered that hindered my frame is confidence. If I’m confident, I have good frame; if I’m not confident, I have bad frame. This is an internal state of knowing you are capable and believing women want to dance with you.

Your frame and confidence create an environment for the lady to enter. When she agrees to dance, she agrees to enter the space that you create and to move with you as you move the space. She wants to know where the space is (commitment to move, no extraneous motion), she wants to feel welcomed in the space (width and openness of frame), she wants the space to be fun (you have fun and the space will be fun).

This is what partner dancing is about. It’s not about the number of moves. It’s not about the complexity or coolness of the moves. It’s about creating this space and inviting a partner into it. This creates a connection and an intimate interaction.

Ah… and here’s the meat… when the lady agrees to enter this space you can continue to operate on the same “level” or you can invite more of her into the space. For example, you invite a lady to dance and you start with some basics. Then you lead an outside turn. That invites a little more of her into the space. But what if you lead a subtle left then right shoulder roll… that invites quite a bit more of her into the space. It is a deeper motion and connects with her on a deeper level. This is more intimate… and more fun! Similarly, leading her to swivel her hips is even deeper, more intimate, and more fun!

But careful here… executing a lead that, by rote, generates a certain response in the follow is not creating this space or connection. This is a kin to saying “Hi, how are you?” “I’m fine, thanks.” There’s nothing in this interaction. The lead must be such that the response is contained within the lead. Now this is difficult to communicate in words… But you understand that if a follow knows to turn left every time you wink your left eye and right every time you wink your right eye, there is no response contained within those leads. Instead, at some previous time you agreed or were taught that this is what the follow will do when you wink. If instead, you put your hands on the follows shoulders and turn her, now you have led something.

Men, you are setting the tone and creating the space. You are creating something for the ladies. What is required of you is internal strength projected into your frame and an attitude of fun. The ladies will love it!

Minervian Arts

Tuesday, January 6th, 2009

We’ll call this the art of wholesome activity. Minerva is the Roman goddess of art, prosthesis trade, and science, as well as the inventor of music. So the name Minervian Arts implies some relation to these things… it is just a name however. And this name is to be used to reference the art and practice of wholesome activity – of which dancing… is one such activity. Though there are types and styles of dance that do not fall under wholesome activity, here we focus on dancing such as swing dancing, ballroom dancing, salsa dancing, contra dancing… and in particular dancing that enlivens your being and connects you with other people in positive ways.

Why bother talking about or practicing Minervian Arts? Because you have a lot of time in this life! What will you do with it?! Perhaps only half or less of your time is needed for rest, food, and the basic needs of living. The rest is your choice in how you spend it. If you think you don’t have enough time, think again! Your current choice holds you where you are. I’ve jumped to the punch line and realize there is a great possibility I’ve lost your interest in this subject already. What I’m saying seems wrong, because you have a feeling inside that you don’t have enough time. You feel stress, pressure, a frog in your throught, or tension in your neck. Or perhaps you don’t. I cannot know… you know. I hope I haven’t lost you yet… let’s change the subject a bit.

The practice of Minervian Arts enlivens your life and connects you with other people. Be it dancing, playing music, playing games, working on projects together, working together, scientific research together, political involvement, the list goes on! These things enrich your life and the lives of people around you. What’s not a Minervian Art. The short answer is watching TV, drinking, conspiring for lustful things, engineering weapons, and other such activities. These things degrade your life and the lives of people around you – and isolate you. The long answer talks about moderation – a couple hours of TV a week isn’t likely going to hurt anything, and it may even help you connect with people in social settings where the subject of some commercial or television show enters the conversation.

Let’s focus on dancing for a bit. This is a particular practice of Minervian Arts. Swing dancing being my favorite, of course. What can you expect to gain from investing in dancing? You can expect to enrich your life and the lives of those around you. You will have a bounty of opportunties to interact with people and make friends. You will have opportunities to create something with these friends; you may create nothing more than a dance with a partner on the social dance floor, or you may take the time to practice together on particular choreographed routines, or you may plan dancing events and parties together. There is a great fulfillment to be had in these interactions and the co-creation that results.

You will have many opportunities to grow! For the shy guy, you will have no shortage of opportunities to overcome your shyness by asking a woman to dance. For the woman with a frustrated desire to dance, you will have many opportunities to dance with friends. There will be challenges along the way. There will be dances where it seems no one wants to dance with you. There will be times when you feel like you just can’t dance. Me… I’ve been dancing since 1997, and I still experience the feeling that I cannot dance, occasionally. I still experience the feeling that no one wants to dance with me, occasionally.

The solution to all these challenges is an internal strengthening of your knowledge of self worth. Dancing provides the environment for that worth to grow. Not only are you met with challenges… your friends are there to provide encouraging words. For one of those dances where you just feel like no one wants to dance with you, a friend will come and ask you to dance. Your heart will be uplifted.

The idea is simply this: engage in an activity regularly that is wholesome and involves many of the same people. Turn off the TV, turn off the radio, turn off the Internet, put down the book, deny the drink or food, and above all: foster that internal desire to connect with people.

Would you like to dance?

Dancing for Life!

Thursday, December 25th, 2008

“Would you like to dance?”

“Yes!”

I offer my hand to my dance partner of the next 3 minutes. She rests her hand in mine and the connection is made. For the next 3 minutes I am not alone. I am connected… connected more than a touch. We’ve started a conversation of our bodies. The first words of my body spoke just as the words of my mouth: I extend my hand… would you like to dance. Her first response mirrored the words of her mouth: she placed her hand in mine… I accept! From this point on we won’t use words of the mouth.

“Let’s move out on the dance floor.” I say by gently moving towards the center of the floor, taking my hand with me. Her hand, resting in mine, follows, “I would like to” and her body follows her hand. We move together.

A smooth stop of my body – transfered into my arm and then my hand and then her hand – tells her: this is the spot. A little more motion backwards tells her, “How about a spin to bring us around to face each other.” We face each other… for a moment time stands still. We exchange a look. I smile. She curls one side of her mouth, “I can tell you can dance. Let’s see what you’ve got!”

Every step we take is as if we are one body.

“Spin to your right here.”

“Okay, watch how I extend my leg and sweep around.”

“I like that, here goes my leg to mirror your sweep… do you hear that? The music is going to hit a break. Let’s jump and land knees bent and legs apart!”

“Got it! Now watch this… that sax solo screams for me to roll my body to the right.”

We feel connected. We feel the music. Nothing else matters. Nothing else exists. We are in the flow of this moment. A magical, beautiful flow of motion across the dance floor.

What was that!? Did I lead that? Did she back lead that?

We move to closed position. Our bodies are close… they are one. “Big step to your left and drag that right foot a long for a slick slide.”

“How much fun… here’s a foot flick to top it off….”

“I got it! I’ll mirror your foot flick.” How can I possibly mirror what she’s doing without a moments hesitation!?

Our faces beam the joy of this connection and flow. Our attention moves from the music to our connection to the expression of joy on our faces. She feels how I feel. I feel how she feels. We are intimately connected.

Whoa! I can’t believe we just did that. Where did that come from!?

Time has lost all meaning. The source of our motion is no longer a lead and a follow. We are one.

We say, “The end is coming. We feel a spin working into a slow body roll. Let’s lock at the end in an extended and open pose. … and … stop! … hold it hold it… good.”

The reality outside dance begins to return. Our mouths open to make some sounds, almost strange to our ears. “Thanks for the dance.”

“You, too.”

We turn our separate ways. Nothing happened.

I walk outside and sit for a while. That reality… was it real? That was amazing. There must be something more to this life. Is this some experience limited to dancing? Why hasn’t anyone told me about this? This is amazing. The blinds have been opened and I see a whole new world!